![]() These look profiles provide low contrast with broadcast color. Look Profiles are intended to provide an easier starting point for color grading in television production workflows. Subtle colors, with high contrast and a tone curve close to film characteristics. Those LUTS have slightly different contrast and tone curves. This topic is out of my depth so I could be totally wrong. What camera are you using, since you neglected to mention that important fact?Īlso, what is a SLog2SGumut, or a S-Gamut/S-Log2 LUT, or a CineToLC-709TypeA.cube, or a S-Log 3 Lut, or a ? :/ Your post looks pretty cryptic to me, since I almost never use video on my a6300.īTW, if you own a FF Sony camera, this is the wrong forum to post these questions. If you don't get too many replies, it's problable because your post is too complicated for ~99.5% of most people to understand on this forum. But what are the differences between these LUTs? And in cases we convert it to the REC 709 standard. I know, you can guess from the name but it is still not super clear: But Sony states nowhere what they stand for. When downloading the cube S-log 2 Lut files form their website. Can you help?Īnd while you are here, you might also help me: That is somewhat confusing to me and wrong in my understanding. PP7 on a Sony 7 II) but then they use a S-Log 3 Lut? ![]() more.My interpretation of the name "α7S II - Picture Profile S-Gamut/S-Log2 LUT " is, they use S-Log 2 (e.g. Spice up your videos with pre-built animations that have a transparent background, just like how a PNG iamge works, but for video.Ĭompleitble in all professional editing software such as DaVinci Resolve, Premiere Pro, AVID, Filmora, Movavi, and much. Read more about what LUTs are and why LUTs are amazing for some people. This is why LUTs are ultra useful for specific types of people. They want to pump out videos that look decent, so they can work on other things that matter more to them. For example, Youtubers and Business owners don't have time to spend passionately learning how to color grade. This route is always the best route if you have passion and time as you will receive your favourite results, because it's from your mind.īut some users just don't have it in them. Some Filmmakers have a very artistic eye and love designing the color themselves. Also of course, LUTs aren't for everyone. Some colorists spend many years color grading different types of Log footage. Being able to place a look onto your footage and have it corrected to a pleasing look while getting more dynamic range out of your camera, is a huge time saver and upgrade! It's an art in itself and it's not something you can learn quickly. This caused a lot of people to get frustrated that they would need to color grade after shooting anything if they wanted the extra dynamic range, especially if they have a quick turn-around on an edit. So let's say, color grading isn't for everyone. ![]() One issue that came with this, is that everyone had to learn color grading when using Log. Giving the ability to have a higher dynamic range than standard color, without losing detail in the shadows and highlights. As Sony cameras became more popular, S-Log 2 & 3 introduced many Filmmakers to using Log color profile. S-Log color space was a big driver for many users to learn how to use LUTs. They gave the user everything they needed while capturing, like multiple XLR inputs for audio, high bitrate, low power consumption and much more. Import the preset file or just drag and drop the LUT to your video to add fantastic color grading. You can use them for your films and TV, social videos, presentations, and more. Many Sony cameras were becoming the favourite, such as the FS5 and FS7 for professional work. This LUTs pack contains 25 Sony Slog3 Wedding LUTs and 25 Wedding Rec 709 LUTs. Just like when the A7S1 was released, it revolutionised the industry with it's low-light capabilities and small design. Sony cameras have been leading the way for many years in the Filmmaking scene.
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